The story of off shore Pirate Radio in the 1960s
Hi, I was born in 1949 , And in my young life , I can remember when the Pirate radio stations filled the airwaves with great new music, Stations like Radio Caroline and Radio London , Radio City, Radio 390, and then came RADIO SUTCH and it is now on the internet keeping the memory of Mr Screaming Lord Sutch & the Savages Who recorded with the Great late Joe Meek at 304 Holloway Road London N7.
Now the Radio station is not a pirate anymore as internet technology has overtaken the crude transmitters that was used in the 1960s, Radio Sutch was relaunched in 2012 as what it is today a 24/7 setup that has a great selection of shows including Tales from the Woods & of course The Joe Meek hour just to mention a few, I must admit that I listen to it nearly every week on Monday night 9pm.
So here is some more info about Pirate Radio for you to read, Have a great time reading this.....
In 1964, following the launch of Radio Caroline, Screaming Lord Sutch said he would start his own station. On 27 May Radio Sutch began broadcasting on 194 metres (announced as 197), 1542 kHz, from the south tower of Shivering Sands. It was a low-powered, low-budget operation. The transmitter, from a Handley Page Halifax bomber, was powered with a cascade of car batteries, a scaffold pole with a skull-and-crossbones flag as an antenna. By September 1964 Sutch had become tired of it and sold it to his manager Reginald Calvert for a reported £5,000. Calvert bought new equipment and expanded the station into other towers. One of the original seven towers had been destroyed when a ship collided with it, leaving the northernmost tower isolated. The remaining five were connected by catwalks in an irregular star shape. Calvert's team repaired the catwalks and refurbished the facilities and living quarters. New studios were built, a more powerful transmitter installed, and the station experimented with new antenna configurations and frequencies (1034 and eventually 1003 kHz). Initially antenna wires were strung around the periphery of the towers. This was unsuccessful due to poor insulation. Later a vertical mast was erected on the central tower, supported by guy wires on three of the surrounding towers, and the station adopted the nickname "your tower of power". Although output never exceeded 2kW, the efficiency of the antenna combined with its location over water (a reflector of radio waves) gave it the coverage of a more powerful land-based station, and Radio City claimed a power of 10kW for the purpose of attracting advertisers.
The studio equipment was standard albeit low-budget, comprising a pair (later three) of Garrardturntables, an AKG D12 microphone (the same model used by both Radio Caroline ships, Radio Londonand Radio 270), domestic tape decks and a basic custom mixer. A US navy transmitter General ElectricTCJ-7 (nicknamed "Big Bertha") replaced the bomber transmitter, instead of the makeshift scaffolding pole antenna, a real antenna mast was used. Most stations played jingles and commercials from cartridges but City used reel-to-reel. In addition to the usual music programmes, subsidised by Dutch and American evangelical shows, City had the only comedy show on pirate radio - The Auntie Mabel Hour, recordings of DJs acting comic sketches and parodying parodies contemporary songs. Some material seems to have been stolen from The Goon Show and Round the Horne. At Christmas 1966 the show featured a parody of Alice in Wonderland and included the DJs singing new comic lyrics to instrumental versions of popular songs.
Another novelty was The Anti-City Show, which invited listeners to send letters and reel-to-reel tapes of complaint about the station. It became a forum for complaints about anything that annoyed. Occasionally, "You've Got Your Troubles" by The Fortunes was broadcast as a signal to land-based associates of a problem, such as a supply shortage.
The Port of London authority had placed wind and tide gauges on the isolated north tower and complained that City's signal interfered with their radio link to the mainland, potentially placing shipping at risk. Interference with official communications was a commonly cited reason for pirates to be banned but Radio City was to provide a more compelling reason for their closure.
In September 1965, merger talks began between City and Radio Caroline South. A transmitter was delivered to the fort, intended to be used by Caroline when it left its ship. The merger collapsed, and the transmitter was never paid for. Calvert then talked to Radio London about a merger, in a venture called UKGM (United Kingdom Good Music).
In the early morning of 20 June 1966, a business associate of Calvert, retired Major Oliver Smedley (who claimed ownership of the transmitter), sent men to take possession of Shivering Sands. That evening, Calvert visited Smedley's home and in a scuffle was shot by Smedley. Smedley was charged with murder but cleared on grounds of self-defence.
The killing spurred the Government to shut offshore stations, passing the Marine Broadcasting Offences Act. However prior to this legislation, it was established that the fort, within British waters, was covered by existing legislation. On 8 February 1967, at midnight the station closed.
The 1975 rock music film Slade in Flame, starring Slade, includes a scene in which the fictional rock band Flame visit Radio City for an interview, only to be airlifted to safety when shots are fired at the fort from a ship. It is later implied that the attack was staged by the band's unscrupulous manager to drum up publicity. The fictional attack was inspired by the actual 1966 boarding party; some news footage of the boarding is seen on a fictional television news report.
Exterior shots of the visit were filmed on and around Shivering Sands, with actor/musicians climbing the ladders used by Radio City DJs. For the airlift a helicopter landed on the roof of one towers. It was not big enough to carry all the actors, so they had to enter on one side of the aircraft and exit out of shot on the other. The film crew hung a Radio City banner on one towers, bigger and more professionally made than the crudely painted sign used by the station.
In one respect the film was not authentic: the fort has no antenna. The original Radio City mast had been dismantled in 1967. It was not possible to build a replica because of its size, and special effects techniques were not up to replicating it. Interior scenes were filmed on a stage. The interior dimensions of the tower are authentic, but the studio appears more professionally equipped. In particular, the fictional studio contains cartridge machines which Radio City never used. The Radio City DJ was played by Tommy Vance, who was on Radio Caroline in the 1960s.
In real life interviews on pirate stations would have been taped on land rather than exposing musicians to hazardous and expensive sea crossings.
An episode of Patrick McGoohan's "Danger Man" (known in the U.S. as "Secret Agent Man"), "The Not-So-Jolly Roger", was filmed on Red Sands Fort in early 1966 when "Radio 390" was broadcasting (shut down a year later). The episode was broadcast on 4 July that year.
Radio Sutch was revived in 2012 as an internet radio station, in memory of Screaming Lord Sutch. Pirate Radio was to start a number of careers for DJs like Tony Blackburn, The late Kenny Everett , DLT, Ed Stewart just to mention a few, So thank you Pirate radio for such a history of Musical Talent ! As I write this I am actually listening to The Joe Meek Hour ( What a great show ).
You can read about more Music items, Musicians, Singers etc on this blog,
or go to the Rockhouse Music Project page on facebook.com (please like the page)
Thanks for your support and for reading this blog.
pbpaulburns2@gmail.com
Posted by paulburns ( formerley Christopher Paul Barnes ) .
Maybe Bands like Queen and Led Zeppelin are not appreciated anymore which is a great shame, All I know as a musician, I don't like the new crap that is being released, Having said that , Artist's like Rod Stewart and Madonna and Sir Cliff Richard are still making good records, But the clowns on BBC Radio 1 will not play them because of the artist's age, As nan would say, "What a f****ing liberty , After all the great years of music they have given us !
Tom Jones , Rod Stewart, Madonna, Kylie Minogue just to name a few, Are not being played by Radio 1 just because of their age, Come on Radio 1 people, Grow up or shut up , But play this great music , If you can play some of the crap that is in the charts today, Then be fair and do us all a favour, Play some decent music like you used to in the early days !
This is an example of how to ruin a good pub, another one that I saw last year is the Mildmay Tavern where the Honeycombs used to play in th60s It is now a convenience store , How sad it is to see !
